S C R I P T   

S U P E R V I S I O N

Why you need a script supervisor for your next project.

There’s a lot of moving parts when it comes to making a film. Keeping track of all of the various moving pieces of each respective department can be challenging

It’s difficult. There’s a lot going on.

You need a script supervisor when making your film. A good script supervisor makes your life easier – they keep track of the micro, important elements of your project, so that you can worry about the macro.

Examples of my reports can be found HERE.

An example of my edit log and lined script. See more examples of my reports HERE

FILMOGRAPHY

Inhabitants (AFF 23) - Dir: Matt McClung - Prod: Thomas Rennier

Bonded (2023) - Dir: Anthony Bawn - Prod: Vim Media

The Last Horseman (2023) - Dir: Leon Melas

Coyote Howl (2022) - Dir: Dylan T. Sherman - Prod: Nate Jaxon, Max Rotblatt

Hirsch (2022) - Dir: Zack Stein - Prod: Jacob Garlic

Jack & Lou (2022)

FEATURES

COMMERCIAL

Gran Turismo (MTV, 23) - Paramount

Basketball Wives (BET, 23) - Paramount

Velocity (22) - Paramount

PRE-GAME (teaser) - Dir: Max Deleo

Lego Mario (Brat TV, 22) - Lego

Dislyte (Lilith Games, 22)

EPISODIC

Bountiful - Pilot - Dir: Rebecca Thomas

Weight of the world - Pilot - Dir: Michelle Renee Jackson

Mani - Season 8 - Brat TV

The Four of Them Season 1 - Brat TV - (TV Mini Series, 22)

Judgement Call (2019) Season 1 - (TV Mini Series, 19)

Sketch Tales - Dir: David Breckman

Black Silk - Dir: Patrick Michael, Prod: Josh Akin

Sammy - Dir: Sam Syrett

Ghostlight - Dir: Amir Faress

A State Of - Dir: Nick Benjamin

Gorditx - Dir: Malik Cherifi, Prod: Gus Murray

CatSick - Dir: David M.E. Gordon

The Offers Up - Dir: Val English

Endless Blooming - Dir: Joey Zhao, Prod: Laze

Analog Us - Dir: Dan Pousson

Disposahole - Dir: Andrew Jasperson, Prod: Gus Murray

Out of Time - Dir: A.J. Starzack, Prod: Samantha Tan

SHORTS

Check out my credits on:

FULLY DIGITAL WORKFLOW

I work with a fully digital workflow, making my notes easy to decipher, while also helping with distribution and organization when it comes to sharing my reports at the end of a shoot. My kit includes:

  • MacBook Pro: Where I create all of the reports for a given project.

  • CineEye 2S: My wireless video transmitter allows me to grab high definition screen grabs to aid with continuity as well as grabbing any camera information from the video village monitor.

  • iPad: Where I keep the script and all of my notes that go with it. Having these on my iPad allows me to be mobile between takes when I have notes to relay to the director.

  • Music Stand: Helps me keep a small footprint on set while giving me a place to set up.

  • Stopwatch: Allows me to time rehearsals and takes of a given scene.

  • Peter Skarratt System/ Scriptation: The two programs that I use for creating my script supervising notes.